If I only use 3 notes, is that copyright infringement?
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Insurance Lawyer
Jeffrey Johnson is a legal writer with a focus on personal injury. He has worked on personal injury and sovereign immunity litigation in addition to experience in family, estate, and criminal law. He earned a J.D. from the University of Baltimore and has worked in legal offices and non-profits in Maryland, Texas, and North Carolina. He has also earned an MFA in screenwriting from Chapman Univer...
Jeffrey Johnson


Insurance Lawyer
Jeffrey Johnson is a legal writer with a focus on personal injury. He has worked on personal injury and sovereign immunity litigation in addition to experience in family, estate, and criminal law. He earned a J.D. from the University of Baltimore and has worked in legal offices and non-profits in Maryland, Texas, and North Carolina. He has also earned an MFA in screenwriting from Chapman Univer...
Jeffrey Johnson
Updated July 2023
There are rumors that sampling only four notes is not copyright infringement because it is protected as “fair use”. This notion of reducing copyright infringement down to the number of notes uses, however, is simply wrong. If you sample a single note, beat, or line from a sound recording without permission, that constitutes copyright infringement. Under current US copyright law, unauthorized “sampling” – no matter how minimal or seemingly innocuous- is usually not considered “fair use”.
Under US Copyright law, the true test for copyright infringement is not the number of notes sampled, but whether the sample is “substantially similar” to the original work. The other main questions is whether it should qualify as “fair use“.
In short, if you engage in unauthorized sampling and get sued by the owners, don’t expect to prevail in court on a “fair use” defense if you use the songs commercially for your own private benefit.
(Reprinted with permission of Ruben Salazar, Esq.)
Case Studies: Copyright Issues
Case Study 1: The Sampling Symphony
A talented music producer named Alex samples a distinctive drum beat from a popular song without obtaining permission from the copyright owner. Alex incorporates the sampled beat into a new track, which becomes a commercial success, garnering millions of streams and downloads. The copyright owner discovers the unauthorized sampling and files a lawsuit against Alex, alleging copyright infringement. The central question in this case is whether the sampling of the drum beat qualifies as fair use or constitutes copyright infringement.
Case Study 2: The Melodic Mashup
A DJ named Lisa creates a remix by blending elements from multiple songs. Lisa selects short melodic snippets from various copyrighted tracks and combines them into a unique composition. She releases the remix online and performs it at clubs, gaining popularity among music enthusiasts. However, some of the original copyright owners argue that Lisa’s remix infringes upon their rights. The key issue in this case is whether Lisa’s use of the melodic snippets is transformative enough to be considered fair use or if it amounts to copyright infringement.
Case Study 3: The Unauthorized Adaptation
A filmmaker named Max is inspired by a bestselling novel and decides to adapt it into a screenplay without obtaining the necessary rights. Max adapts the storyline, characters, and major plot points, making significant changes to the original work but retaining its core elements. The author of the novel learns about Max’s unauthorized adaptation and takes legal action, claiming copyright infringement. The central question here is whether Max’s adaptation qualifies as fair use or constitutes an infringement of the author’s copyright.
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